Interview with The Liminal
I had a chat with The Liminal about Shetland, field recording, whimsy, play-work, sea-trout fishing and a host of other things. Here’s what they said:
Rob St John feels like an avatar of an older tradition. The ‘folk’ tag has become somewhat hollowed out, a dead signifier; but vestiges of the tradition remain, and remain oddly powerful in their ability to both evoke the particulars of place and lever open channels to the past. St John, across a variety of projects – musical and otherwise – has revealed a keen eye for specificity and an alchemical descriptive capability; he also appears to be adept in listening to the clamour and babble erupting from that open channel and focusing it into some semblance of a coherent narrative. Weald, which came out late last year on Song, by Toad, was a record of what you might call, in a non pejorative sense, ‘hollowed-out’ folk music – the tracks were as much resonating caverns as actual songs. But there was also a smeary, vague quality to it: on a molecular level syllables colaseced, meanings blurred; on a broader sonic level, instruments followed this pattern and cross-fertilised. The result was an enigmatic thing, a gothic puzzle to which the ear slowly attuned. St John has been busy since, curating here and travelling there. We talked about Weald and the various projects St John is involved with – now and in the coming months.